Sweet Home Alabama: The Music of Muscle Shoals
Over the 13 plus years that we have run our company Runckel & Associates and our website www.business-in-asia.com, we have had many interesting projects. Early on we recovered nearly one million dollars (a 96% recovery) for an Asian investor defrauded by an immigrant in the U.S. and told by lawyers and government officials alike that she would never see this money despite the merits of her case. We also helped to arrange over a one million dollar donation from a royal personage to a charity helping to protect poor Asian farmers and their families in a small Asian country when earlier efforts had proved repeatedly unfruitful. We have arranged investment, licensing and helped in set-up of considerable numbers of companies looking to invest in Asia and lately we have helped Asians to invest in the U.S. or other locations. If I had a penny for some of the truly unique projects that have walked in our door I would be a rich man. All of this will definitely be part of the book I eventually will write at the urging of those around me who know some of our story. The range of work and the ways it has stretched us has been unique but that is why we love it - each day brings new challenges, new chances to serve and new opportunities to learn about life and business.
He said he’d been working of a project for over two years and had gotten to a point that he really felt he needed our help. The project he described was a doozy - to make a documentary on one of the primary but relatively unknown music locations - Muscle Shoals, Alabama. Being of an age (in my early 60s) and like most of my generation where music was part and parcel of the memories that we identified with each of the stages of our life, I had heard of Muscle Shoals but when I started to look a little deeper I came to see that I had just scratched the surface. Muscle Shoals was not just Southern Rock but the home of R&B, Rock, Country, Southern Rock, Blues and much, much more.
In July of 2012, my brother Dan - more the sports, music and barbecue expert than I, and with all needed conversation points and knowledge skills in Alabama - travelled to Birmingham where we met Wallace and started a trip that would change us all. From the moment we landed we experienced Southern hospitality and came to see how Alabama was coming together to hopefully help this important documentary be made.
In Birmingham, Wallace took us to dinner at a prominent local restaurant - the Bright Star at Bessemer - where in the lobby we saw our first altar to Alabama’s football god - Bear Bryant, plus enjoyed the hospitality of the RSA (the State Retirement System) funded hotel and golf projects on the Robert Trent Jones Golf Trail. We also saw the Alabama Theatre, a local landmark, which maybe the location for the premiere for the film.
After an enjoyable evening stay at the Renaissance Birmingham Ross Bridge Golf Resort & Spa including a welcome by Steve Miller, the GM, we travelled to Muscle Shoals where we met the remainder of the team working on this project. This included Roger Condit, the Unit Production Manager, who will oversee administration, finance and scheduling; writers Terry Pace and Robert Palmer - two life long residents of the area, noted journalists and probably two of the most informed people anywhere on the Muscle Shoals area and its music; Doug Casmus who will handle all the acquisition of music rights, and artist contacts; and David Johnson, who has been part of the Muscle Shoals music scene for over 40 years, and is a tremendous resource for artists' contacts. Finally and of course central to the project is the overall Director of the entire project - Wallace Sears - a former Disney writer and 35 year veteran of the broadcasting and film industry.
Over the next two days we immersed ourself in the area and its music. The area which is probably near 150,000 in population is made up of four cities that sprawl over Northwestern Alabama near the Tennessee border. The four cities are Florence, Sheffield, Tuscumbia and Muscle Shoals. Of the four cities - Florence is probably the most similar to a compact city where the other three stretch over the fields and along the roads and highways of the region.
Historically, the area as Terry Pace and Robert Palmer both point out has a musical tradition that goes back to the river and first its native American population. W.C. Handy was born in Florence and is generally regarded as the “Father of the Blues”. Sam Phillips, founder of Sun Records and who first signed Elvis Presley to a contract (that now is on display in the Alabama Music Hall of Fame in Tuscumbia) lived in the area and noted in his autobiography that Muscle Schoals and its radio station WLAY, which featured a mix of “black” and “white” music very much influenced his development and his later success.
The Alabama Music Hall of Fame in Tuscumbia documents this musical heritage which to me seemed to be built on a tradition of realizing that the musical continuum between country, rock, R&B and Soul was in fact no barrier at all but the intermingling and meshing of all. At the Alabama Music Hall of Fame, which like other formerly state supported institutions has now been cut loose and required to find its own way, we met Executive Director Wiley Barnard and heard about the programs that the Music Hall of Fame was trying to promote to bring the music and appreciation of it out beyond museum doors and into the public. We learned that the Music Hall of Fame had closed in 2012 for many months because of a lack of funds and that a task force had looked at selling a portion of the land on which the museum sits and other cost saving elements. The Alabama Music Hall of Fame will be a major recipient of the hoped for profits from the documentary film soon to be produced by Wallace Sears and his group. The funds generated will help to create an endowment and a further basis to publicize the Music Hall of Fame, the area and its musicians, and a unique cultural heritage.
When we arrived at the Alabama Music Hall of Fame, a meeting of the Board of Directors was just finishing and we were fortunate to meet famous musician and producer Jimmy Johnson, part of the famous Muscle Shoals Rhythm Section (The Swampers) plus Rodney Hall of FAME studios and others. Jimmy was generous with his time and spent a considerable while with us before Terry Pace took us through the Museum and added his vast knowledge to the many exhibits and artifacts there.
We then checked into the Marriott Shoals Hotel and Spa which overlooks the Tennessee River in Florence and has added a five-star luxury and meeting center that is helping to attract more groups to the area. Robin Stansell, RSA/PCH Liaison, Marriott Shoals is much to be commended for all her help to us during the visit and for her tremendous support plus that of Larry Bowser, the General Manager, to the entire project.
Later we again visited Jimmy Johnson at his Jimmy Johnson’s Swamper Studios where he told us about his family who has spent four generations helping to build the area’s musical tradition. We discussed for over an hour some of the amazing portions of his career and the legacy that music has built for the area. It was really a memorable night for all of us fortunate enough to have been there and afterwards Terry Pace and Robert Palmer both made the inescapable point that more needs to be done now to ensure that these remembrances are set down and that more needs to be done to protect all our musical history in the Shoals area through projects like the Sweet Home Alabama music documentary and other oral history and other projects.
After a big dinner in which we met four time Country Music Association Musician of the Year and noted song writer, producer and entertainer Mac McAnally at dinner, later we met other local musicians at the Swampers Lounge at the Marriott Shoals Hotel & Spa. Unlike most venues, the Muscle Shoals area is one in which seeing world famous musicians and newcomers often sitting down “jamming” together and where you can often see famous musicians over breakfast, lunch and dinner - although the tradition here is to leave them alone unless they happen to say hello or recognize you.
Next morning we had breakfast with State Senator Roger Bedford, Colbert County Commissioner Emmitt Jimmar and Mayor of Sheffield Ian Sanford. Mayor of the City of Muscle Shoals David H. Bradford had hoped to join but was called away and sent a letter and a souvenir of our visit with his assurances that his city and the area were firmly behind the documentary film project and that we should feel free to call on him or his colleagues as needed. At the breakfast Country Commissioner Emmitt Jimmar charmed all of us with his stories about growing up in the area and with inside stories about his relatives and about the early black music and R&B and Country music scene in Colbert Country. Senator Bedford related the area to the larger Alabama music scene and helped to explain some of the budget and other challenges the state was fighting in trying to improve the area’s economy and to expand tourism and other business. Mayor Sanford noted Sheffield’s musical contribution and spoke of the collaboration of the entire area with respect to supporting the documentary film project and promoting local tourism.
Following breakfast we spent our day touring some of the major music studios in the area starting with FAME studios in Muscle Shoals. This was a key interest for all of us as every one of the musicians we met noted the key place founder Rick Hall and his studio had in developing music in the U.S. and internationally. Most of the musicians and many others noted that all of them had started and learned their craft at FAME and then gone on from there to further improve it at other studios and in later rolls. Jimmy Johnson noted that in a way all of them were like a series of planets rotating around FAME and Rick Hall who were instrumental in the creation of the entire music scene.
Later visits included Muscle Shoals Sound/Cypress Moon Studios, Noiseblock studios, and Mac McAnally’s home studio where we spent time with this extremely talented musician, producer and song writer who was in the midst of producing a new record for a young newcomer. We met with NuttHouse Recording Studios Jimmy Nutt and had a very interesting visit to Wishbone Studios to meet and talk with the co-owner, Bud McGuire, about this well known studio.
That afternoon we drove back to Birmingham and to the Marriott Renaissance Ross Bridge Golf Resort & Spa for a quick visit and then to dinner at the Century Restaurant, Tutwiler Hotel where we met the film’s early sponsors the Alabama Power Company, Hyundai Manufacturing Alabama, Wells Fargo Bank, Birmingham Record Collectors Club and Jireh Publishing for an enjoyable dinner
This project - the making of the documentary film Sweet Home Alabama: The Music of Muscle Shoals - is still a work in progress and more financing is needed to bring the film to a reality. Those interested in helping finance the project and supporting the work of the Alabama Music Hall of Fame and the communities of Florence, Sheffield, Tuscumbia and Muscle Shoals and Cobert County and the co-sponsoring companies in Alabama should contact Chris Runckel at Runckel & Associates, as for us this is more than a project - it is a calling.
About the Author:
Christopher W. Runckel, a former senior US diplomat who served in many counties in Asia, is a graduate of the University of Oregon and Lewis and Clark Law School. He served as Deputy General Counsel of President Gerald Ford’s Presidential Clemency Board. Mr. Runckel is the principal and founder of Runckel & Associates, a Portland, Oregon based consulting company that assists businesses expand business opportunities in Asia. (www.business-in-asia.com)
Until April of 1999, Mr. Runckel was Minister-Counselor of the US Embassy in Beijing, China. Mr. Runckel lived and worked in Thailand for over six years. He was the first permanently assigned U.S. diplomat to return to Vietnam after the Vietnam War. In 1997, he was awarded the U.S. Department of States highest award for service, the Distinguished Honor Award, for his contribution to improving U.S.-Vietnam relations.